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Would we have film noire without corridors?oger Luckhurst’s ambitious and consistently informative cultural history of the corridor makes brief mention of The Maltese Falcon in accounting for film noir’s preoccupation with bleakly anonymous lobbies, passages and hallways. But it’s not the skills and attitudes required to negotiate these spaces that interest Luckhurst. In his view, corridors have a meaning rather than a function. Film noir, he says, set out to ‘interpret’ lobbies, passages and hallways as an index to modern alienation. This is emphatically a cultural rather than an architectural history. Literature, film, TV and other media are called on to elucidate meaning.
Because inherent in the artist’s creative inspiration is the process of subliminally sniffing out environmental change. It’s always been the artist who perceives the alterations in man caused by a new medium, who recognizes that the future is the present, and uses his work to prepare the ground for it. But most people, from truck drivers to the literary Brahmins, are still blissfully ignorant of what the media do to them; unaware that because of their pervasive effects on man, it is the medium itself that is the message, not the content, and unaware that the medium is also the massage — that, all puns aside, it literally works over and saturates and molds and transforms every sense ratio. The content or message of any particular medium has about as much importance as the stenciling on the casing of an atomic bomb. But the ability to perceive media-induced extensions of man, once the province of the artist, is now being expanded as the new environment of electric information makes possible a new degree of perception and critical awareness by nonartists.
I call this peculiar form of self-hypnosis Narcissus narcosis, a syndrome whereby man remains as unaware of the psychic and social effects of his new technology as a fish of the water it swims in. As a result, precisely at the point where a new media-induced environment becomes all pervasive and transmogrifies our sensory balance, it also becomes invisible.