The music of conversingHe knew an Irish composer who lived in Paris and who noticed a pattern at his local boulangerie. Customers who said “Bonjour!” in an ascending line, with two notes a sixth apart, got served first. English has similar patterns, studies have found. We use minor thirds when telling sad stories and major thirds when telling happy ones. We match pitches with those we admire and expect the same of those who admire us. We harmonize when we agree—starting our sentences a perfect fifth or an octave from where the last sentence left off—and grow dissonant when we disagree. Our arguments are full of tritones. Whether we know it or not, Wells said, we’re always singing.