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Review/Opera; Seeking Symmetry Between Palestinians and Jews- Page 2 - New York Times

The libretto, though, is not up to the challenge. Even when the protagonists' faces are projected on a giant television screen, they remain distant figures, remote from either sympathy or horror. The text seems almost casually random in its use of imagery and portentous statement. Ideas are undeveloped, cryptic passages are chanted, mixed metaphors created, references left unclear. When this miscellany is combined with Mr. Adams's film-scorish impressionism, the result is a monochromatic stage show that relies on the audience to bring along the appropriate sentiments.